I want you by my side. We are brothers, you and I


Me gustaba que se llamase Yasna, me gustan los nombres que avisan la pobreza, esos nombres como Jhonatan y Jenifer, esos nombres que dicen cuidado con el perro quiltro, que marcan terreno, que avisan la selva.
La Clase Media hace chiste con esos nombres, les parecen ridículos y graciosos sobre todo cuando son deformaciones anglo que se mezclan con un pobre Pérez o un pobre Carrasco, se ríen y en la noche se van a la fiesta kitsh de La Blondie. Se llamaba Yasna y la amé tanto. La clase media se ríe en función de los nombres connotadores de pobreza, ahí intentan marcar su diferencia, sus privilegios, su idílico origen común, pero la Clase Media omite los apellidos, ellos también son Martínez y Hernández, aunque antecedidos por Camilos, Ignacios y Franciscas. No se meten con los apellidos, porque desde ahí son desplazados. Lo que representa Deivid para la Clase Media, es lo mismo que representa Soto para la Clase Alta. Se llamaba Yasna Rivas y la amé tanto.

Pablo Paredes

Rage and Serenity from the soundtrack is practically a love theme for Charles and Erik because it’s a combination of their own individual Leitmotifs. This essay explains in more detail what makes the piece so poignant.
“…at 0:42, a small melodic motif is introduced, which seems to generally be used as Charles’ theme in the film. This continues to play as Charles acts as a mentor and friend to Erik, showing him the memory, and telling him to try again.
At 1:19 in the song, Erik’s theme comes in. Now, Erik has two themes: a calmer, somewhat arpeggiated electric guitar riff, and a more intense “Magneto” theme, generally used when he is doing something violent. The one used here is the calmer one. However, instead of taking over the music entirely, the guitar actually plays the theme in counterpoint to Charles’ theme, not sacrificing its unique timbre, but still blending in with the orchestra to create an amazing sound. The song builds to a climax as Erik finally moves the dish, and then fades away gently as Erik smiles and laughs, and Charles pats him on the back proudly.
This, more than anything, really enforces the metaphor that Erik and Charles are Rage and Serenity. They have their individual strengths and advantages, but they are stronger when working together to reach a single goal. And working together doesn’t erase either of their individual qualities—Erik is still Rage and Charles is still Serenity, just as the guitar is still a guitar and the orchestra is still an orchestra. Together, they create something new and better, something more than a sum of its parts, as the popular saying goes. That’s why the relationship between Charles and Erik is so powerful, and why this scene is so emotionally charged—they were practically made for each other, each perfectly complementing the other.”

tvtropes.com (x)

(Source: marvel-slash-geek)

Meine Liebe →

Fanfiction de X-Men.

Sobre mi madre y lo mucho que la amé.
Un homenaje a Magneto y a Edie Lehnsherr.

(Source: tumblr.com)


do you ever ship something SO hard that you become this aching pit of sadness bc they are so in love it just hurts you and your very fingertips just freakin tingle with sadness because why aren’t they together and PLEASE JUST MAKE THE PAIN GO AWAY? maybe it’s just me, maybe I’m just really passionate about fictional people, but it SUCKS.